Melancholy by  Carina del Valle Schorske

There is a long history in Western thought associating melancholy and genius. We have van Gogh with his severed ear. We have Montaigne confessing, “It was a melancholy humor … which first put into my head this raving concern with writing.” We have Nina Simone and Kurt Cobain, Thelonious Monk and David Foster Wallace. We have the stubborn conviction that all of these artists produced the work they did not in spite of, but somehow because of, their suffering. The charms of melancholy seem to be the charms of van Gogh’s quietly kaleidoscopic color palette: in one self-portrait, every color used on his face is echoed elsewhere in the surroundings. His white bandage complements the canvas in the corner, his yellow skin the wall, his blue hat the blue window. The charms of his work become the charms of his persona and his predicament.


Despre Claudiu Degeratu
Expert in securitate nationala, internationala, NATO, UE, aparare si studii strategice

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