Cultura orală

How philosophy came to disdain the wisdom of oral cultures by Justin E H Smith

A poet, somewhere in Siberia, or the Balkans, or West Africa, some time in the past 60,000 years, recites thousands of memorised lines in the course of an evening. The lines are packed with fixed epithets and clichés. The bard is not concerned with originality, but with intonation and delivery: he or she is perfectly attuned to the circumstances of the day, and to the mood and expectations of his or her listeners.

If this were happening 6,000-plus years ago, the poet’s words would in no way have been anchored in visible signs, in text. For the vast majority of the time that human beings have been on Earth, words have had no worldly reality other than the sound made when they are spoken.

As the theorist Walter J Ong pointed out in Orality and Literacy: Technologizing the Word (1982), it is difficult, perhaps even impossible, now to imagine how differently language would have been experienced in a culture of ‘primary orality’. There would be nowhere to ‘look up a word’, no authoritative source telling us the shape the word ‘actually’ takes. There would be no way to affirm the word’s existence at all except by speaking it – and this necessary condition of survival is important for understanding the relatively repetitive nature of epic poetry. Say it over and over again, or it will slip away. In the absence of fixed, textual anchors for words, there would be a sharp sense that language is charged with power, almost magic: the idea that words, when spoken, can bring about new states of affairs in the world. They do not so much describe, as invoke.

Despre Claudiu Degeratu
Expert in securitate nationala, internationala, NATO, UE, aparare si studii strategice

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