Medieval

Kalamazoo by  Josephine Livingstone

Every year, three thousand people gather in Kalamazoo for the sake of the years 400 to 1400 (approximately) of the Common Era. The International Congress on Medieval Studies, held annually at Western Michigan University, is the largest gathering of medievalists on earth. They come from all over the world to participate in panels like “Attack and Counterattack: The Embattled Frontiers of Medieval Iberia,” “Waste Studies: Excrement in the Middle Ages,” “Historical, Ethnical and Religious Roots of the Thraco-Geto-Dacians and Their Successors: Romanians and Vlaho-Romanians” and “J. K. Rowling’s Medievalism (I & II).” They are literary critics, historians, experts in numismatics and linguistic datasets, and nuns. There are over five hundred sessions: meetings and drinks parties and bookstalls; groups of monks dressed in black; bespectacled, serious, young men; elderly ladies in capped sleeves. Here is a ragtag bunch of human beings all on the same pilgrimage, playing a part in a story that they can’t read, because they’re in it.

Colecţionarii

Why people collect art By Erin Thompson

The oil billionaire J Paul Getty was famously miserly. He installed a payphone in his mansion in Surrey, England, to stop visitors from making long-distance calls. He refused to pay ransom for a kidnapped grandson for so long that the frustrated kidnappers sent Getty his grandson’s ear in the mail. Yet he spent millions of dollars on art, and millions more to build the Getty Museum in Los Angeles. He called himself ‘an apparently incurable art-collecting addict’, and noted that he had vowed to stop collecting several times, only to suffer ‘massive relapses’. Fearful of airplanes and too busy to take the time to sail to California from his adopted hometown of London, he never even visited the museum his money had filled.

Getty is only one of the many people through history who have gone to great lengths to collect art – searching, spending, and even stealing to satisfy their cravings. But what motivates these collectors?

Debates about why people collect art date back at least to the first century CE. The Roman rhetorician Quintilian claimed that those who professed to admire what he considered to be the primitive works of the painter Polygnotus were motivated by ‘an ostentatious desire to seem persons of superior taste’. Quintilian’s view still finds many supporters.

Diseară, de la 21.00, Radio România Actualități, la emisiunea Euroatlantica

Astăzi sunt invitat la Radio Actualități, în cadrul emisiunii Euroatlantica, de la ora 21.00. Împreună cu gazdele vom discuta despre agenda de securitate.
Puteți urmări live pe pagina Radio Romania Actualități.

Gestionarea tipurilor de riscuri

Cadrul national de gestionare a tipurilor de crize – HG 557/2016

Am citit HG 557/2016 in forma completa, adica si partea de anexe, parte care ma interesa in mod deosebit pentru ca din text reiesea vointa Guvernului si determinarea Doctorului Arafat de a inlatura definitiv autoritatile locale si prefectii din rolul de coodonare si responsabilitate in acest domeniu. Din anexe se vede clar acest lucru dar se mai vad, primo o lipsa ingrijoratoare de profesionalism din partea lui Arafat si secundo, un mod agresiv de a impune doar propriile convingeri si cunostinte cantonate strict in domeniul urgentelor medicale intr-un domeniu pe care nu-l stapaneste.
HG -ul il aveti aici http://lege5.ro/…/hotararea-nr-557-2016-privind-managementu…

Anexez un exemplu de greseala grava in abordarea riscurilor intr-un document pe care premierul Dacian Ciolos l-a semnat ca primarul. Decizia lui Ciolos denota ca nu prea are reflexe de bun bun administrator, nu intelege ca nu poate deconecta autoritatile locale si prefectii de la un domeniu foarte important si ca nu are o viziune de ansamblu asupra sistemului administrativ national.
Salvati poza si dupa o puteti mari.

HG-Tipuri_de_risc

Cărţi

Ieri am cumparat o carte si un covrig, total 1.50 lei, eh, prima editie 1972 a notelor de curs, cu o introducere „politica” dar foarte interesanta si un exlibris Dr. O. Enachescu.

MC-Notedecurs

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